Inside the creative rituals of legendary designers

tobias

tobias

30. April 2025

Crea­ti­vity doesn’t happen by acci­dent. From analog sket­ching to pre-dawn jour­na­ling, these three desi­gners share the deeply per­sonal habits that help them break through blocks, stay grounded, and keep their ideas flowing.

Paul Rand: The Power of Soli­tude and Simplicity

Known for: IBM, ABC, UPS logos
Paul Rand, often cre­dited with brin­ging the Swiss Style to Ame­rican cor­po­rate design, believed in the clarity of thought as much as clarity in form. His crea­tive ritual started with a non-nego­tiable: time alone. Rand would often retreat into his study, sur­rounded by books, sket­ches, and silence — no dis­trac­tions, no digital noise.
His mor­nings were reserved for reading phi­lo­sophy and art theory, par­ti­cu­larly moder­nist works. This wasn’t just for inspi­ra­tion — it was a way to cali­brate his thin­king before tou­ching any design tools.

Key Ritual: Start with ideas, not soft­ware. Rand always began by sket­ching by hand, letting ideas flow orga­ni­cally on paper before refi­ning them on a screen (if ever). His belief: “A logo derives meaning from the quality of the thing it sym­bo­lizes, not the other way around.”

two woman wearing coat standing near wall

Paula Scher: Intui­tion Fueled by Obsession

Known for: Citi logo, The Public Theater, Windows 8 bran­ding
Paula Scher’s ritual is one of energy and speed — but built atop decades of immersive know­ledge. She calls her best work “done in a second,” but that second is backed by years of seeing, lis­tening, and absor­bing design like a lan­guage.
Scher’s workspace is often a chaotic flurry of Post-it notes, over­sized can­vases, and music. Jazz in par­ti­cular — its rhythm and impro­vi­sa­tion — fuels her flow. She begins every project not with ques­tions, but with a gut response. Only after trus­ting her instincts does she inter­ro­gate the design logically.

Key Ritual: Trust the first impulse, refine with expe­ri­ence. “It’s like solving a puzzle without knowing the picture on the box,” she says. “You need to be okay with not knowing — that’s where the good stuff lives.”

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